1,182 Royalty-Free Audio Tracks for "17 Limit Tuning And Intervals"

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

*Just augmented fifth on C = G♯. 25:16 = 772.63 cents. Limit: 5-limit. MIDI pitch bend: 31,55

*Just augmented sixth on C = A♯. 125:72 = 955.03 cents. Limit: 5-limit. MIDI pitch bend: 78,49

*Just augmented seventh (125th harmonic) on C = B♯+++. 125:64 = 1158.94 cents. Limit: 5-limit. MIDI pitch bend: 110,50

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

Modulations from C major to C sharp major in natural temperatures (just intonation) end at almost the same pitch although there should be a half-tone difference.

Compound just perfect fifth on C. Also the 833 cents scale step 16 (2). 1901.96 cents. 3/1

*Just augmented second (75th harmonic) on C = D♯ (Ben Johnston's notation). 75:64 = 274.58 cents. Limit: 5-limit. MIDI pitch bend: 111,55

Pythagorean diminished third on C. 65536 : 59049 180.45 cents.

*17 steps in 21-et on C = B♭↓. Equal-tempered: 217/21:1 = 971.43 cents. MIDI pitch bend: 109,54

*17 steps in 36-et on C = ??. Equal-tempered: 217/36:1 = 566.67 cents. MIDI pitch bend: 42,53

*17 steps in 20-et on C = ??. Equal-tempered: 217/20:1 = 1020 cents. MIDI pitch bend: 51,70

*17 steps in 48-et on C = ??. Equal-tempered: 217/48:1 = 425 cents. MIDI pitch bend: 0,72

*17 steps in 19TET on C = B. Equal-tempered: 217/19:1 = 1073.68 cents. MIDI pitch bend: 74,55

*17 steps in 72 equal temperament on C. Equal-tempered: 217/72:1 = 283.33 cents. MIDI pitch bend: 85,58 Created in Sibelius with midi pitch bend on 91 for 284.375 cents rather than 283.339. New version a M2 on 85,90 for 283.3251953125 cents rather than 283.339.

*17 steps in 41 equal temperament on C. Equal-tempered: 217/41:1 = 497.56 cents. MIDI pitch bend: 28,63

*17 steps in 31-et on C = ??. Equal-tempered: 217/31:1 = 658.06 cents. MIDI pitch bend: 74,50

*17 steps in 23-et on C = ??. Equal-tempered: 217/23:1 = 886.96 cents. MIDI pitch bend: 105,59

*17 steps in 22-et on C = ??. Equal-tempered: 217/22:1 = 927.27 cents. MIDI pitch bend: 93,72

Just perfect fifth on D = A+. 3:2 = 701.96 cents.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

*12 steps in 17 equal temperament on C = G♯ (Easley Blackwood's notation). Equal-tempered: 212/17:1. MIDI pitch bend: 8,79

*Tritave (compound just perfect fifth) on C = G'. 3:1 = 1901.96 cents. Limit: 3-limit. Play by clarinets.

Tritave dyad (interval)

*10 steps in 17 equal temperament on C = G♮ (Easley Blackwood's notation). Equal-tempered: 210/17:1 = 705.88 cents. MIDI pitch bend: 113,65

*2 step in 17 equal temperament on C = C♯ (Easley Blackwood's notation). Equal-tempered: 22/17:1 = 141.18 cents. MIDI pitch bend: 23,77

*29-TET perfect fifth on C = G?. Equal-tempered: 217/29:1 = 703.45 cents. MIDI pitch bend: 13,65

The range of a Jew's harp as string harmonics:“By using the cavity of the mouth as a resonator, each harmonic in succession can be isolated and reinforced, giving the instrument the compass shown. The lower harmonics of the series cannot be obtained, owing to the limited capacity of the resonating cavity. The black notes on the stave show the scale which may be produced by using two harps, one tuned a fourth above the other.” This file plays harmonics 4, 5, 6, 7, 8, 9, 10, 11, and 12.

Sum and difference tones of A220 and unison, just perfect fifth, and octave. Note that this is not produced through ring modulation of two notes, but is four separate notes.

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

*15 steps in 17 equal temperament on C = A♯ (Easley Blackwood's notation). Equal-tempered: 215/17:1 = 1058.82 cents. MIDI pitch bend: 106,50

*1 step in 17 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 21/17:1 = 70.59 cents. MIDI pitch bend: 75,54 17 tone equal temperament is the tempered scale derived by dividing the octave into 17 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21/17, or 70.6 cents.

*7 steps in 17 equal temperament on C = F (Easley Blackwood's notation). Equal-tempered: 27/17:1 = 494.12 cents. MIDI pitch bend: 15,62

*3 steps in 17 equal temperament on C = D♮ (Easley Blackwood's notation). Equal-tempered: 23/17:1 = 211.76 cents. MIDI pitch bend: 98,67

*34 steps in 72 equal temperament on C. Equal-tempered: 234/72:1 = 566.67 cents. MIDI pitch bend: 43,53 Created in Sibelius with midi pitch bend on 85 for 565.625 cents rather than 566.678. New version a P4 on 42,85 for 566.650390625 cents rather than 566.678.

*Major tone on C = D. 9:8 = 203.91 cents. Limit: 3-limit. MIDI pitch bend: 32,65

*Tritave (compound just perfect fifth) on C = G'. 3:1 = 1901.96 cents. Limit: 3-limit. MIDI pitch bend: 80,64

*Just perfect fourth on C = F (Ben Johnston's notation). Just: 4:3 = 498.04 cents. Limit: 3-limit. MIDI pitch bend: 48,63

*Just perfect fifth on C = G. 3:2 = 701.96 cents. Limit: 3-limit. MIDI pitch bend: 80,64 MIDI file.

*Diminished fifth tritone (Pythagorean diminished fifth) on C = G♭-. 1024:729 = 588.27 cents. Limit: 3-limit. MIDI pitch bend: 32,92 on P4

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top line.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Bottom line.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line and difference tones.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Difference tones.

Pythagorean major chord on C.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line without difference tones.

* on C = C. Just: 1/1 = 0 cents. Limit: 3-limit. Single note of Just BP Diatonic Scale: C.

*Single note of just BP diatonic scale on C = C'. Just: 3:1 = 1901.96 cents. Limit: 3-limit.

*Pythagorean diminished seventh on C = B--- (Ben Johnston's notation). 32768:19683 = 882.40 cents. Limit: 3-limit.

*Pythagorean augmented seventh on C = B♯+++ (Ben Johnston's notation). 531441/262144 = 1223.46 cents. Limit: 3-limit.